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                <text>"Ex Libris" ideato da Spiro dalla Porta Xidias</text>
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                <text>"Ex Libris" ideato da Spiro (realizzato da Furio de Denaro) per personalizzare e numerare i libri scritti da lui.&#13;
&#13;
Angolo museale presso l'Associazione XXX Ottobre - sezione C.A.I. Trieste.</text>
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                  <text>️Il termine “algudnei” unisce due parole ladine (algu = qualcosa, poche cose, diverse e collegate tra loro; nei = noi) che unite formano Algu d nei = qualcosa di noi&#13;
&#13;
Si tratta di un progetto culturale che vede la collaborazione del Gruppo di Ricerche Culturali di Comelico Superiore e la Regola di Dosoledo. Insieme, si sono proposti di divulgare i risultati delle ricerche svolte sul proprio territorio e sulla cultura ladina del Comelico, con l’obiettivo di trasmettere la conoscenza e animare il dibattito locale.&#13;
&#13;
Questo spazio racconta una cultura antica la cui esistenza è stata messa a dura prova dalla modernità ma che é sopravvissuta ed è ancora capace di raccontare, di parlarci.</text>
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                <text>Liodä</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;La &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;liodä&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; nel Comelico si riferisce alla&lt;/span&gt; &lt;span style="font-weight: 400;"&gt;slitta utilizzata per il trasporto invernale della legna, del fieno, del letame, trainata manualmente o da animali. Solitamente costruite in faggio o betulla, esistono in diverse versioni: pesante per trasportare i tronchi nel bosco o&amp;nbsp; più leggera e maneggevole per i trasporti in paese.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;L’origine etimologica di questa parola è rintracciabile nel dizionario etimologico di Luigi Nicolai, dala parola *&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;leud(i)a&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; di una lingua preromana&amp;nbsp; col significato di slitta.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;La poesia &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Liódi d’ nóti &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;del Dott. Pio Zandonella Necca, tratta dalla raccolta di poesie in ladino “Insudä ‘n Cumelgu” di Pio Zandonella Necca a cura del Gruppo Culturale, descrive il lavoro con la&amp;nbsp; &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;liodä.&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;&lt;br /&gt;Testo in ladino&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Liodi&amp;nbsp; d’nóti &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Sarà li zinchi. E n’ dormi. Du nte stradä&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;tendi a pasà di omi co’ la liodä,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;i vdis che stridi nte la caradadä&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;e ciadeni, davòi, ch fa da codä.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;S’tiri la reiä senti fin du n’ piezä&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;gni su par rivä i pasi coi gazìns&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;e soti i feri a s-ciuflà la gezä&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;e su li spadi šbatucé i rampìns.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;É denti &amp;nbsp; ch va a legni. Co ión dì&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;ognun ciareiä su la liodä&amp;nbsp; i rami&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;dal sò tasón; se mai, ncamò na borä.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Po' ión a val e can ch’sonä&amp;nbsp; med-dì&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;e a Muié i é sfnidi e piogn de fami&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;ruvä li femni, nconträ, co’ la torä.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Traduzione in italiano&lt;/b&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Slitte di notte&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Saranno le cinque. E non dormo. Giù nella strada&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;continuano a passare degli uomini colla slitta,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;i pattini che stridono nella carreggiata&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;e catene, dietro, che fanno strascico.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Se tendo l’orecchio sento perfino in piazza&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;giungere sulla strada in salita i passi coi ramponi&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;e sotto i ferri sbriciolarsi il ghiaccio&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;e sulle impugnature&amp;nbsp; sbattacchiare i rampini.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;È gente che va a legna. Quando viene giorno&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;ognuno carica sulla slitta i rami&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;della sua catasta; semmai, anche un piccolo tronco.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Poi calano a valle e quando suona mezzodì&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;e a&amp;nbsp; Moiè sono sfiniti e pieni di fame&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;vengono loro incontro le donne con la manzetta. (1)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;(tratto da “Insudä ‘n Cumelgu”, ortografia originale dell’autore; Necca, 2000)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;&lt;br /&gt;Audio registrazioni&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Registrazione della poesia del Dott. Pio Zandonella Necca tratta dalla raccolta di poesie in ladino “Insudä ‘n Cumelgu” (Necca, 2000) che racconta il lavoro con la&amp;nbsp; liódä (slitta)&amp;nbsp; intitolata&amp;nbsp; “Liódi d’ nóti”.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Didascalie immagini&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto: liodȁ&amp;nbsp; (slitta) carica di legna; Provenienza:&amp;nbsp; collezione Algudnei&lt;/span&gt;&lt;/p&gt;</text>
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                    <text>Verso la metà di settembre, la fava veniva raggruppata in mannelli (mane) per poi essere posta sui faèr ad essiccare. La sistemazione era a fasce verticali non molto larghe, al fine di consentire il posizionamento manuale delle mane stando posti lateralmente sulla stessa stanga. Le mane venivano agganciate quattro per volta ad un ceppo in legno pesante (marco) con quattro ganci (bech), il quale veniva legato ad una fune e ad una carrucola di rinvio (zirela da faèr) posta nella sommità del favaio e fatto salire dall’operatore che stava a terra (Racc. Union Ladign da Selva).</text>
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                    <text>Oggi in val Fiorentina rimane un solo faèr nella frazione di Toffol. Si tratta di una ricostruzione realizzata per mantenere il ricordo di questo strumento che, nel passato, è stato indispensabile per il sostentamento delle famiglie (Racc. Union Ladign da Selva).</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;I &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;faèr&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, ovvero favai o essicatoi per la fava, erano molto diffusi un tempo, tanto che quasi ogni famiglia ne possedeva uno. L’etimologia proviene probabilmente da &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;fabarium&lt;/span&gt;&lt;/i&gt; &lt;span style="font-weight: 400;"&gt;(Nicolai 2000)&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;La fava era un alimento di fondamentale importanza, dal momento che non solo si poteva consumare cruda, ma, una volta seccata, poteva essere mangiata nella minestra d’orzo e, soprattutto, fatta macinare per ricavarne una farina per cucinare la &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;polentina de faa&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;I &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;faèr &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;erano molto diffusi in passato essendo stata la fava un alimento a lungo basilare per l’alimentazione.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Verso la metà di settembre, la fava veniva raggruppata in mannelli (&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;mane&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;) per poi essere posta sui &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;faèr&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; ad essiccare. La sistemazione era a fasce verticali non molto larghe, al fine di consentire il posizionamento manuale delle &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;mane &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;stando posti lateralmente sulla stessa stanga. Le &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;mane &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;venivano agganciate quattro per volta ad un ceppo in legno pesante (&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;marco&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;) con quattro ganci (&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;bech&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;), il quale veniva legato ad una fune e ad una carrucola di rinvio (&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;zirela da faèr&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;) posta nella sommità del favaio e fatto salire dall’operatore che stava a terra. Tra la fine di ottobre e l’inizio di novembre, in una giornata fredda e asciutta, la fava veniva gettata a terra (&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;se butaa du la faa&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;) e accatastata provvisoriamente nel ballatoio del fienile (&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;inte palanzin&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;). Dopo poco tempo, la fava veniva stesa uno strato alla volta &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;nell’aia (&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;era&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;) &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;e veniva battuta con il correggiato (&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;se la bat inte l’ era col ferel&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;). Questa operazione veniva effettuata in giornate prive di umidità in modo da facilitare il seme ad uscire dal baccello (&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;cosol&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;). Dopo varie lavorazioni si otteneva la fava adatta al consumo: la parte migliore veniva recuperata per la semina successiva e il resto era destinato ad uso alimentare&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Didascalie immagini&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 1: I numerosi faèr che un tempo si trovavano nella frazione di Pescul; Provenienza: &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Racc. Union Ladign da Selva&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 2: Verso la metà di settembre, la fava veniva raggruppata in mannelli (&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;mane&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;) per poi essere posta sui faèr ad essiccare; Autore: &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Racc. Union Ladign da Selva&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 3: &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Tra la fine di ottobre e l’inizio di novembre, in una giornata fredda e asciutta, la fava veniva gettata a terra (&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;se butaa du la faa&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;) e accatastata provvisoriamente nel ballatoio del fienile (&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;inte palanzin&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;); Provenienza: &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Racc. Union Ladign da Selva&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 4: &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Faèr&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; nella frazione di Toffol. Si tratta di una ricostruzione realizzata per mantenere il ricordo di questo strumento che, nel passato, è stato indispensabile per il sostentamento delle famiglie; Provenienza: &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Racc. Union Ladign da Selva&lt;/span&gt;&lt;/p&gt;</text>
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                    <text>Mantecatore manuale per gelato. Foto 5: bastardèla: utilizzata per la vendita di pere cotte.&#13;
Immagine realizzata per il “MUSEO DEL GELATO e dei gelatieri” (PROGETTO MUSEOLOGICO 2021), ricerca finanziata dal Comune di Val di Zoldo, e campagna di schedatura per il Catalogo generale dei Beni Culturali ICCD 2022, fotografia Claudia Cottica"</text>
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                    <text>Bastardèla: piccolo forno portatile impiegato per la vendita delle pere cotte. Portato a tracolla, era costituito da una struttura esterna in rame, alla cui base era posizionato un contenitore di ferro contenente le braci. Sopra quest'ultimo si appoggiava un telaio di rame contenente le pere. La dotazione dell'ambulante comprendeva poi una sorta di cuscino al cui interno si trovavano fogli di carta velina, utilizzata con avvolgere le pere vendute. Vi era infine un piccolo contenitore di asticelle di legno con le quali si infilzavano le pere per consentire una comoda degustazione. &#13;
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Data la carenza di opportunità lavorative, per molte generazioni, esauriti i lavori disponibili nelle attività agricole, boschive e minerarie, per gran parte della popolazione maschile zoldana rimaneva solo l'opzione dell'emigrazione. Gli zoldani si specializzarono nel commercio ambulante di piccole delizie, come caldarroste, pere cotte, frutta caramellata, croccanti, biscotti di farina di mais (&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;dalet&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;), pinoli e uvetta. Al contempo, molti di loro svolgevano mansioni di carpentiere, muratore, boscaiolo e minatore. Queste ultime attività, in alcuni casi, venivano svolte anche all'estero, come dimostra il contributo di alcuni zoldani alla costruzione della ferrovia transiberiana alla fine dell’Ottocento.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;L’&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;emigrazion&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; è strettamente legata alla realtà zoldana, sia nel passato che nel presente, poiché la lavorazione del ferro e i chiodaioli rappresentavano solo una piccola parte delle occupazioni dalle quali trarre sostentamento. Per il resto dei valligiani si apriva la strada dell'emigrazione, seppur temporanea, durante i mesi invernali. I migranti facevano ritorno in Valle durante i periodi caldi per occuparsi della fienagione e delle attività legate all'agricoltura, eccetto una parte della popolazione che si vide costretta, malgrado tutto, ad affrontare anche un'emigrazione permanente, cercando fortuna anche al di là dell'oceano (Guida Museo del Ferro e del Chiodo).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;La parola deriva dal latino tardo &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;emigratio&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; ed esiste in altre varianti, come &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;migrazion &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;e, come ci mostrano queste fotografie provenienti dal Museo del Gelato, ha plasmato le attività commerciali e culinarie della comunità di Val di Zoldo.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;In particolare, la Foto 4 ci presenta un mantecatore manuale per gelato, testimonianza di una tecnologia artigianale impiegata per produrre questo delizioso dessert. La Foto 5 svela una &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;bastardela&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, un piccolo forno portatile utilizzato per la vendita di pere cotte. Questo strumento, trasportato a tracolla, presenta una struttura esterna in rame con un contenitore di ferro per le braci alla base. Un telaio di rame sostiene le pere sopra le braci, mentre un cuscino contenente fogli di carta velina era utilizzato per confezionare le pere vendute. L'ambulante portava con sé anche un piccolo contenitore di asticelle di legno, impiegate per infilzare le pere, offrendo così una comoda soluzione per la degustazione.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Queste immagini ci offrono uno sguardo affascinante su come gli emigrati non solo preservassero le loro tradizioni culinarie, ma le adattassero in modo inventivo alle nuove realtà, portando con sé un pezzo di Val di Zoldo nei luoghi in cui si stabilivano.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Didascalie immagini/video&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 1, 2, 3: esempi di carretto per la vendita di gelato;&lt;/span&gt; &lt;span style="font-weight: 400;"&gt;Provenienza: Museo del Gelato;. Licenze: proprietà del Comune di Val di Zoldo.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 4: mantecatore manuale per gelato; Provenienza: Museo del Gelato; Licenze: proprietà del Comune di Val di Zoldo.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 5: bastardèla: utilizzata per la vendita di pere cotte.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Data e autore: sconosciuti. Foto 4: mantecatore manuale per gelato. Provenienza: Museo del Gelato; Licenze: proprietà del Comune di Val di Zoldo.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Il Museo Albino Luciani “MUSAL”, ufficialmente inaugurato il 26 agosto 2016, è situato in un palazzo quattrocentesco, accanto alla chiesa parrocchiale di San Giovanni Battista di Canale d’Agordo (Belluno). L’esposizione permanente ha come obiettivo quello di raccontare la vita e l’insegnamento di papa Giovanni Paolo I, ma non solo: la grandezza della figura di Albino Luciani emerge anche dalla conoscenza del contesto storico e sociale in cui è nato e cresciuto, l’antica Pieve di Canale d’Agordo, che vide maturare la sua vocazione e determinò la personalità di questo Papa tanto amato nel mondo. Potrete scoprire la storia della Valle del Biois e conoscere la vita di alcune personalità native del luogo, la vita di Albino Luciani vissuta nel suo paese natale, dall’infanzia fino alla sua ordinazione episcopale, oltre alle tappe più importanti: dalla nomina a vescovo di Vittorio Veneto (1958-1969), patriarca di Venezia(1969-1978) e papa il (26 agosto 1978), fino alla morte, avvenuta in Vaticano il 28 settembre 1978.&amp;nbsp;&lt;a href="http://www.visitdolomites.com/page2/musal-museo-albino-luciani/" target="_blank" rel="noreferrer noopener"&gt;www.visitdolomites.com&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;La &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Desmontegada&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; indica la discesa del bestiame dall'alpeggio al termine della stagione estiva (Rossi 1992).&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Ancora oggi, nell’Agordino, ogni anno si svolgono sfilate che celebrano questo tema con gruppi folkloristici, bestiame, tendoni, musica dal vivo, mercatini della tradizione e dell'artigianato. Una di queste è &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Se Desmonteghea&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, programmata sulla piana di Falcade a fine settembre, senza dimenticare la consueta &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Desmontegada&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; a Selva di Cadore e la &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Fiera del Bestiam&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; ad Agordo.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Il verbo &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;desmontegà &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(“dimonticare” in italiano)&lt;/span&gt; &lt;span style="font-weight: 400;"&gt;descrive la transumanza del bestiame ed è intrinsecamente rappresentativo del duro lavoro in montagna.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Fatica, orgoglio, sacrificio e impegno sono alcune sfumature che emergono dalle Foto: un filo conduttore tra il passato e il presente della vita in montagna.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;A questo link trovate un video della &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Se Desmonteghea&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; di Falcade 2019&lt;/span&gt;&lt;b&gt;:&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;b&gt;Didascalie immagini&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 1: Bestiame al pascolo in alta Valle di Gares (inizio '900); Provenienza: Archivio Fondazione Papa Luciani. Fondo Maria Adami Bagatela&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 2: Se Desmonteghea, transumanza del bestiame a Falcade (2023); Provenienza: Archivio Union Ladina Val Biois&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 3: Se Desmonteghea, sfilata di cavalli a Falcade (2023); Provenienza: Archivio Union Ladina Val Biois&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 4: Se Desmonteghea, Gruppo Folk Val Biois (2023); Provenienza: Archivio Union Ladina Val Biois&lt;/span&gt;&lt;/p&gt;</text>
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&#13;
Si tratta di un progetto culturale che vede la collaborazione del Gruppo di Ricerche Culturali di Comelico Superiore e la Regola di Dosoledo. Insieme, si sono proposti di divulgare i risultati delle ricerche svolte sul proprio territorio e sulla cultura ladina del Comelico, con l’obiettivo di trasmettere la conoscenza e animare il dibattito locale.&#13;
&#13;
Questo spazio racconta una cultura antica la cui esistenza è stata messa a dura prova dalla modernità ma che é sopravvissuta ed è ancora capace di raccontare, di parlarci.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Il &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;matazin &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;e il&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt; lach&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;é sono i nomi delle principali maschere di Dosoledo.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;La radice "mata" del termine &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;matazin&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; riporta a diverse interpretazioni suggestive: potrebbe significare “matto”, “diverso”, ma anche “morto che torna” come ci spiega Secco (2001) nel suo "MATA". &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Laché &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;ha un significato più semplice: è l’aiutante del &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;matazin&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; che fa da tramite tra la figura sacra e il pubblico&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Il Carnevale rappresentava un momento importante nella vita dei paesi, una festa profana che trae origine da&amp;nbsp; antichi riti propiziatori pagani. Il rituale carnevalesco comprendeva musica e balli in piazza per il divertimento di tutti, ma era anche occasione di incontri: dopo la festa in piazza &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;laché e matazin&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; giravano per il paese visitando le case dove c’erano ragazze da marito, favorendo così gli incontri tra i giovani.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Didascalie video&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Video: Mascaradä d’ Santä Ploniä&amp;nbsp; Mascherata di Santa Apollonia Dosoledo;&amp;nbsp; Provenienza: Collezione Algudnei&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>️Il termine “algudnei” unisce due parole ladine (algu = qualcosa, poche cose, diverse e collegate tra loro; nei = noi) che unite formano Algu d nei = qualcosa di noi&#13;
&#13;
Si tratta di un progetto culturale che vede la collaborazione del Gruppo di Ricerche Culturali di Comelico Superiore e la Regola di Dosoledo. Insieme, si sono proposti di divulgare i risultati delle ricerche svolte sul proprio territorio e sulla cultura ladina del Comelico, con l’obiettivo di trasmettere la conoscenza e animare il dibattito locale.&#13;
&#13;
Questo spazio racconta una cultura antica la cui esistenza è stata messa a dura prova dalla modernità ma che é sopravvissuta ed è ancora capace di raccontare, di parlarci.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nel Comelico, il termine ladino &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;corletu&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; indica la ruota per filare. Fino a qualche decennio fa, ogni famiglia possedeva pecore per garantirsi la lana necessaria alla produzione del proprio abbigliamento. Dopo la tosatura delle pecore (che avveniva due volte all’anno), la lana veniva lavata ripetutamente, cardata fino a renderla soffice, e infine le donne anziane della famiglia la filavano con il &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;corletu&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Filare la lana rappresentava un'attività femminile durante i &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;filò&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, momenti di ritrovo serale all'interno delle case calde, tra le stue o le stalle, dove si condividevano storie e racconti.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;L'origine etimologica del termine &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;corletu&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; è rintracciabile nel dizionario "IL LADINO DI COMELICO SUPERIORE" (2008) del Gruppo Ricerche Culturali Algudnei. Essa deriva dal sostantivo formato dal verbo latino &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;currere&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; ‘correre’: &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;curullum&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; + &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;-ittum&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Questo strumento rappresentava una componente insostituibile della quotidianità di un tempo, presente in ogni dimora e impiegato con costanza.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Didascalie immagini&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto: corletu&amp;nbsp; o rodä da filé,&amp;nbsp; filatorio a pedale;&amp;nbsp; Provenienza: Collezione Algudnei&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Museo Algudnei</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Il &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;darlin &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;è una &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;gerla, strumento adibito al trasporto di fieno o legna molto comune in montagna, dove la ristrettezza dei sentieri e la pendenza spesso accidentata riducono l’impiego di ruote e carri rispetto alla pianura.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Ai nostri occhi può ricordare un grande “zaino” intrecciato con il legno e possiamo considerarlo il progenitore degli zaini che si usano tuttora nelle escursioni.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Didascalie immagini&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto: &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Darlin&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;; Data e autore: 3 dicembre 2023, Marika Cazzetta.&lt;/span&gt;&lt;/p&gt;</text>
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