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                  <text>Museo Dolom.it</text>
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                <text>Belfiore</text>
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                <text>&lt;span style="text-decoration: underline;"&gt;Caratteristiche&lt;/span&gt;: pezzatura media e forma a cuore, fiorisce tardi sfuggendo così alle gelate primaverili, pianta poco esigente che ben si adatta a tutti i terreni, frutti di lunga conservabilità &lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;Epoca raccolta&lt;/span&gt;: primi, metà ottobre &lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;Buccia&lt;/span&gt;: fine. liscia. profumata. di un color giallo paglierino lieve-mente tinto di rosso sul iato al sole &lt;span style="text-decoration: underline;"&gt;Polpa&lt;/span&gt;: giallognola, carnosa di tessitura finissima &lt;span style="text-decoration: underline;"&gt;Sapore&lt;/span&gt;: ottim, dolce, fruttato &lt;br /&gt;VARIETA ANTICA ORIGINARIA DEGLI STATI UNITI &lt;br /&gt;Già nota nel New Jersey dalla metà del 1700, si diffuse poi anche in Europa dove fu coltivata con successo fino ad una cinquantina di anni fa. dopo di che fu soppiantata dalle attuali varietà commerciali. Il Congresso tenutosi a Treviso nel 1888 segnalò questa mela TRA LE MIGLIORI TANTO PER LA SUA BELLEZZA E BONTA QUANTO PER LA SUA COSTANTE PRODUTTIVITA- &lt;br /&gt;Anche G. Molon nel suo trattato -"POMOLOGIA" dei 1901 la considerava tra le migliori mele da tavola.</text>
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                <text>Oscar Padovani</text>
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                <text>Oscar Padovani - Az. agricola Vecio Pomer</text>
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                <text>Varietà rustica Adatta a tutti i terreni Frutto di pezzatura media &lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;Epoca raccolta&lt;/span&gt;: metà-fine ottobre &lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;Buccia&lt;/span&gt;: ruvida, opaca su di un fondo giallo-verde mostra una beh guancia di rosso aranciato con ampio reticolo rugginoso &lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;Polpa&lt;/span&gt;: bianco crema, compatta. di tessitura fine. succosa dolce &lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;Sapore&lt;/span&gt;: ottimo, caratteristico &lt;br /&gt;Antica varietà proveniente dall'Olanda. Fu descritta per la prima volta nel 1839 con il sinonimo di " BELLE DE BOIS da Luigi Noisette nel trattato -JARDIN FRUITTER" e successivamente nel 1803 da Andrà Leroy in -DICTIONNAIRE DE POMOLOGIE. Fu poi segnalata come ottimo frutto da G. Molon con il sinonimo di Renetta di Monfort nel trattato -POMOLOGIA- Ed. Hoepli (rnI) 1901 e successivamente anche da D. Tamaro in -FRUTTA DI GRANDE RED-DITO- Ed. Hoepli (MI) 1928.&lt;br /&gt;Molto nota ed apprezzata soprattutto nel Nord Italia. Fu coltivata fino agli anni sessanta dei secolo scorsa per essere poi progressivamente abbandonata dopo l'introduzione delle varietà commerciali moderna.&lt;br /&gt; Era presente nel Catalogo Generale N. 80 del 1888/89 dello Stabilimento Agrario-Botanico Fili Ingegoli Milano e successivarriente nel Catalogo N. 77 4211906 della Ditta Sgaravatti Padova.</text>
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                <text>Oscar Padovani</text>
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                <text>Oscar Padovani - Az. agricola Vecio Pomer</text>
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                <text>&lt;a href="https://musei.angelini-fondazione.it/museo-di-geologia-paleontologia-e-mineralogia-delle-dolomiti-agordine/"&gt;Sito internet museo&lt;/a&gt;</text>
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        <name> Der lange atem der erde</name>
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        <name>Era paleozoica</name>
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                <text>BELLUNO DALL'ALTO</text>
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                <text>Immaginre aerea della citta di Belluno.</text>
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                <text>http://www.webdolomiti.net/belluno/</text>
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                <text>http://www.webdolomiti.net/belluno/</text>
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                <text>18</text>
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                  <text>San Michele all'Adige (TN)</text>
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                  <text>Il Museo degli Usi e Costumi della Gente Trentina è un museo etnografico realizzato dallo studioso trentino-boemo Giuseppe Sebasta: l’esposizione è considerata una delle più importanti a livello nazionale nel suo genere. Il museo è molto grande: conta 41 stanze distribuite in 4 piani, suddivise per aree tematiche: agricoltura, artigianato, arte del legno, ma anche allevamento, pastorizia, alpeggio, caccia e tanto altro.&amp;nbsp;&lt;a href="http://www.visitdolomites.com/page2/museo-degli-usi-e-costumi-della-gente-trentina/" target="_blank" rel="noreferrer noopener"&gt;www.visitdolomites.com&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.museosanmichele.it" target="_blank" rel="noreferrer noopener"&gt;Sito internet del museo&lt;/a&gt;</text>
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                <text>Bètscho e bètscha </text>
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                <text>Il carnevale mòcheno ha luogo nel giorno di martedì grasso e si caratterizza per avere solo 3 personaggi: Bètscho e Bètscha (vecchio e vecchia) e Oiartroger (il raccoglitore delle uova). &#13;
I vecchi hanno il viso ricoperto di nerofumo e si caratterizzano per alcuni dettagli del costume. Il Bètscho indossa un copricapo fatto con due zampe di capra unite all’estremità e un camicione di canapa bianca, fermato in vita da un cinturone di cuoio con campanaccio, che permette di trattenere una vistosa gobba sulla schiena. Tiene in mano un lungo bastone ricoperto di nerofumo. La Bètscha, interpretata rigorosamente da un uomo, è vestita semplicemente da donna con un cappellino in testa e ha in mano una piccola scopa con la quale rincorre il vecchio colpendolo sulla gobba.  &#13;
Parte importante del rito, che si ripete due volte, è la morte simulata dei vecchi con la lettura dei testamenti nei quali vengono nominati tutti i giovani del paese. &#13;
La giornata si conclude con un grande falò dove viene bruciata la gobba del vecchio insieme ai testamenti.</text>
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                <text>Museo degli Usi e Costumi della Gente Trentina</text>
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                <text>"MUSEO DEGLI USI E COSTUMI DELLA GENTE TRENTINA. NUOVA GUIDA ILLUSTRATA"  a cura di Giovanni KEZICH, Eriberto EULISSE, Antonella MOTT</text>
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                <text>Per approfondimenti sulle mascherate tradizionali consultate il sito www.carnivalkingofeurope.it</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;ANDRICH, C. (2022). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Vallada Agordina e la chiesa monumento nazionale sul Monte Celentone San Simon, un gioiello di fede ed arte tra le Dolomiti&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;COMITATO DEL VOCABOLARIO DELLE REGOLE D'AMPEZZO (1997). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Vocabolario italiano-Ampezzano&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Cortina d'Ampezzo, Regole d'Ampezzo.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;COMMISSIONE BIBLIOTECARIA DI LOZZO DI CADORE (a cura di) (2004). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Il Dizionario della gente di Lozzo. D&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;ialetto ladino di Lozzo di Cadore, dalle note del prof. Elio Favero&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt; &lt;span style="font-weight: 400;"&gt;Pieve di Cadore, Tiziano;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;COMUNE DI FORNO DI ZOLDO (2011). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Museo del Ferro e del Chiodo&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Verona, Scripta.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;CROATTO, E. (1986). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Vocabolario ampezzano&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Cortina d'Ampezzo, a cura della Cassa rurale ed artigiana di Cortina d'Ampezzo.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;CROATTO, E. (2004). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Vocabolario del dialetto ladino-veneto della Val di Zoldo (Belluno).&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; Angelo Colla Editore.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;DA DEPPO, I. E CASON, P. (1999). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Le attività pastorali nell'area ladina del Centro Cadore. &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;Pieve di Cadore, Tipografia Tiziano.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;DE DONÀ, G. E DE DONÀ FABBRO, L. (2011).&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt; Vocabolario dell’idioma ladino d’Oltrepiave (Comuni di Lorenzago e Vigo di Cadore). &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;Belluno, Tipografia Piave.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;DELL'ANDREA, L. (1997). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Vocabolario italiano-ladino di Selva di Cadore taliàn - selvàn&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Union de i Ladign de Selva, &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Belluno, Tipografia Piave.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;DEMATTE’, E. (2024). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;La Valle con i santi alle finestre&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Nuovi Sentieri Editore.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;DE NARDIN, T. e TOMASI, G. (2011). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;I nomi dei luoghi della Conca Agordina. &lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Agordo, Gosaldo, La Valle, Rivamonte, Taibon, Voltago-Frassenè. Etimologia e Storia. &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;Crocetta del Montello, Nuovi Sentieri.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;GARDIEN, G. (2002). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Petite histoire de Dolomieu. Origines, lieux-dits, explications toponymiques. &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;CHR, au pied de la lettre, Dolomieu.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;GRUPPO RICERCHE CULTURALI DI COMELICO SUPERIORE (2008). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Il Ladino di Comelico Superiore&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Grafiche Antiga.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;LAGUNA, C. (a cura di) (2008). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Proverbie e mode de dì de Loze&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Lozzo di Cadore, Comune.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;LAZZARIS, L. (1931). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Le Stagioni dell’anno secondo i costumi di Canale d’Agordo (in vernacolo)&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Agordo: Tipografia G. Lise.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;NICOLAI, L. (2000). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Il dialetto ladino di Selva di Cadore. Dizionario etimologico&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Union de i Ladign de Selva, Belluno, Tipografia Piave.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;PALLABAZZER V. (1972). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;I nomi di luogo dell'Alto Cordevole Volume III, parte V.&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; Firenze, Leo S. Olschki Editore.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;PALLABAZZER, V. (1989). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Lingua e cultura ladina. Lessico e Onomastica di Laste / Rocca Pletore / Colle S. Lucia / Selva di Cadore / Alleghe.&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; Belluno: Istituto Bellunese di Ricerche sociali e culturali.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;PELLEGRINI, S., e PELLEGRINI, G. B. (1972). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;I nomi locali della Valle del Bióis: Riveduti e completati da G.B. Pellegrini e preparati per la stampa da V. Pallabazzer. Presentazione di CA Mastrelli&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Firenze: Archivio per l’Alto Adige.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;ROSSI, G. B. (1992). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Vocabolario dei dialetti ladini e ladino-veneti dell’Agordino.&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; Serie Dizionari N. 5, Belluno, Istituto Bellunese di Ricerche sociali e culturali.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;SECCO, G.&amp;nbsp; (2001). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;MATA&amp;nbsp; la tradizione popolare e gli straordinari personaggi dei Carnevali arcaici delle montagne venete&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Fondazione Giorgio Cini, Regione Veneto, Belumat Editrice.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;SERAFINI, L. (1999), &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Atrioi. Cristi e Gesiole de Canal- notizie di storia locale&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Tipografia Piave Belluno.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;SERAFINI, L. (2018), &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Le Regole della Valle del Biois- storia sintetica di una proprietà collettiva.&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; Union Ladina Val Biois.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;SERAFINI, L. (2018). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;La Pieve di San Giovanni Battista a Canale d’Agordo (Belluno)- la chiesa di Papa Luciani&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Union Ladina Val Biois.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;VAONA, G. (2023). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Sommario de dut Italiano - Zoldano&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Bozza non riletta - Pasqua 2023. (si tratta di un manoscritto non ancora pubblicato)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;VASSALLI, S. (1992). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Marco e Mattio&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Einaudi.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;ZANDEGIACOMO DE LUGAN, I. (1988). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Dizionario del dialetto ladino di Auronzo di Cadore&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Belluno, Istituto bellunese di ricerche sociali e culturali.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;ZANDEGIACOMO DE LUGAN, I. (2005). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Corne e cros.&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; Pieve di Cadore, Tiziano.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;ZANDONELLA NECCA, P. (2000). &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Insudä ‘n Cumelgu sonetti in ladino del Comelico&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt; &lt;span style="font-weight: 400;"&gt;Sezión ladinä d’cumelgu archivio&amp;nbsp; gruppo ricerche culturali Algudnei Dosoledo.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;&lt;i&gt;SITOGRAFIA&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Istituto Culturale delle Comunità dei Ladini Storici delle Dolomiti Bellunesi “Istituto Ladin de la Dolomites”, &lt;/span&gt;&lt;a href="http://www.istitutoladino.it"&gt;&lt;span style="font-weight: 400;"&gt;www.istitutoladino.it&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;, Risorse online, Vocabolari;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Vocabolario Etimologico della Lingua Italiana di Ottorino Pianigiani: Dizionario Etimologico Online, &lt;/span&gt;&lt;a href="http://www.etimo.it/?pag=hom"&gt;&lt;span style="font-weight: 400;"&gt;www.etimo.it/?pag=hom&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Merrily we sailed along&#13;
Though the waves were plenty strong&#13;
Down the twisting river Rhine&#13;
Following a song...&#13;
Legend's faded storyline&#13;
Tried to warn us all&#13;
Oh, they called her "Loreley"&#13;
Careful or you'll fall...&#13;
&#13;
Oh, the stories we were told&#13;
Quite a vision to behold&#13;
Mysteries of the seas in her eyes of gold...&#13;
Laying on the silver stone, such a lonely sight&#13;
Barnacles become a throne, my poor Loreley...&#13;
&#13;
And the winds would cry, and many men would die&#13;
And all the waves would bow down to the Loreley...&#13;
&#13;
You would not believe your eyes, how a voice could hypnotize&#13;
Promises are only lies from Loreley&#13;
In a shade of mossy green, seashell in her hand&#13;
She was born the river queen, ne'er to grace the land...&#13;
&#13;
Oh, the song of Loreley&#13;
Charms the moon right from the sky...&#13;
She will get inside your mind, loveley Loreley...&#13;
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