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                  <text>Museo Etnografico della Provincia di Belluno e del Parco delle Dolomiti Bellunesi</text>
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                  <text>via Seravella, &#13;
Cesiomaggiore (BL)</text>
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                  <text>Il museo etnografico di Seravella rappresenta un punto di riferimento nella conoscenza e nello studio dell’etnografia bellunese, grazie alle numerose attività di ricerca che vengono svolte al suo interno e per le interessanti iniziative volte alla diffusione della conoscenza del patrimonio tradizionale locale. Il museo etnografico stimola interessanti riflessioni sul significato di vivere in montagna, sulle pratiche e le consuetudini di questo territorio così particolare. Materiali sonori, filmici e fotografici affiancano sapientemente documenti cartacei e reperti oggettivistici, rendendo il percorso espositivo un’esperienza capace di coinvolgere persone di ogni età. &lt;a href="http://www.visitdolomites.com/page2/museo-etnografico-della-provincia-di-belluno-e-del-parco-nazionale-dolomiti-bellunesi/" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.museoetnograficodolomiti.it" target="_blank" rel="noreferrer noopener"&gt;Sito internet del museo&lt;/a&gt;</text>
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                <text>Fieno in spalla 2</text>
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                <text>Fin da piccoli i bambini facevano pratica di fatiche, giusto per abituarsi progressivamente alla dura vita che li attendeva. Forse questa bambina era stata incaricata di trasportare un po' di fieno per i pochi animali rimasti nella stalla durante il periodo estivo. Notate i caratteristici scarpet, l'immancabile gerla e la serietà nello sguardo della bambina. Anno 1941, località sconosciuta della provincia di Belluno.</text>
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                <text>Elio Migliorini</text>
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                <text>Fondo Migliorini - Museo Etnografico della provincia di Belluno e del Parco Nazionale Dolomiti Bellunesi</text>
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                <text>Salita che fatica- fienagione</text>
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                <text>Sara Dalla Corte, Paolo Cibien</text>
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                <text>L'audio è stato registrato dall'Uomo di Mondeval durante l'invasione digitale del Museo di Selva di Cadore</text>
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                  <text>Oggi La Magnifica Comunità di Cadore è ente a personalità giuridica pubblica costituito dall'unione dei ventidue comuni del Cadore. E' erede della storia unitaria della regione, delle sue esperienze di autogoverno e dei valori tradizionali espressi dalle genti cadorine e costituisce, ancor oggi, un punto di riferimento delle realtà istituzionali e sociali operanti nel territorio. La Magnifica Comunità concorre a conservare l'identità culturale e le risorse ambientali e a promuovere la formazione e lo sviluppo morale ed economico delle comunità locali, individuando e valorizzando gli elementi di carattere unitario che, nel rispetto delle realtà istituzionali e sociali, possono contribuire al progresso complessivo del Cadore anche mediante iniziative volte a favorire il raccordo e la concertazione.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Il focolare, struttura caratteristica delle case dell'epoca, è conosciuto come &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;fogher &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;nel Cadorino .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Il classico &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;fogher &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;cadorino, costruito su un basamento in pietra di Castellavazzo, presenta una coppa con camino diretto sul tetto con comignolo antico in pietra e &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;larin&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Il &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;fogher&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; è tutta la struttura, il &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;larin &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;è la parte sotto dove veniva acceso il fuoco.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Larin&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; ha origine dal latino e si riferisce ai Lari, divinità Romane dei defunti di famiglia che avevano il compito di proteggere il focolare e la casa.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nel caso del &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;fogher&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; con &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;larin&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; si intende tutto ciò che concerne l'attrezzatura utilizzata per la gestione del fuoco, con una panca in legno intorno al perimetro utilizzata per sedersi.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Il &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;fogher&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, unico luogo riscaldato delle case, rappresentava un importante elemento delle tradizioni locali, &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;come evidenziato anche nelle foto che ritraggono uno dei luoghi più suggestivi della Casa natale di Tiziano Vecellio. Questo ambiente della casa ospitava anche il larìn, focolare in pietra a forma quadrata rialzato dal pavimento. Il larìn è sovrastato dalla &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;napa&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (cappa) e circondato da le &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;bance del fogher&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (panche) per sedersi attorno al fuoco. Sul focolare c'erano inoltre i &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;bràndui&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (alari) che impedivano alle&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt; bolife &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(scintille) di incendiare la casa.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;L'origine etimologica del termine &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;fogher&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; è riportata in De Donà e De Donà Fabbro (2011) e deriva dal latino &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;focum &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;+ &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;arium&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Didascalie immagini&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto: Interno della Casa natale di Tiziano; Autore: Stefano Da Rin Puppel&lt;/span&gt;&lt;/p&gt;</text>
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Cortina d'Ampezzo BL</text>
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                <text>La Fondazione, che rappresenta il referente univoco sia per il Ministero italiano dell’Ambiente sia per il Comitato per il Patrimonio mondiale UNESCO, ha il compito di promuovere la comunicazione e la collaborazione tra gli Enti territoriali che gestiscono e amministrano – ciascuno secondo il proprio ordinamento – il territorio definito dall’UNESCO Patrimonio dell’Umanità.</text>
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