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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Le montagne che racchiudono tante valli e parlate ladine.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Prendono il nome dalla “dolomite”, un minerale composto di carbonato doppio di calcio e magnesio &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;CaMg(CO&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;3&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;)&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;2&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;, scoperta dal geologo e camminatore francese Déodat de Dolomieu. La parola fu coniata proprio in onore dello scienziato nel 1792 dal collega Nicolas de Saussure, al quale Dolomieu aveva mandato un campione l’anno prima (Wiktionary; SAT).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Il termine divenne molto diffuso presso il grande pubblico dopo la pubblicazione del libro di Gilbert e Churcill&amp;nbsp; “The Dolomite mountains” nel 1864 (SAT).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Il prefisso &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Dolom-&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; deriva quindi dal villaggio francese da cui proveniva Déodat, appunto Dolomieu situato nel dipartimento dell’Isère, all’interno della regione Alvernia-Rodano-Alpi, e gemellato con Agordo (Wiktionary).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Il suffisso &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;-ite&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; è di origine latina ma prestito dal greco, usato in geologia per indicare minerali e rocce (Wiktionary).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Il nome del villaggio Dolomieu è probabilmente composto dal suffisso celto-latino &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;-acum&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; che indica appartenenza di un’azienda agricola (poi villaggio) ad un nome proprio, qui non identificato. Un’altra spiegazione per la prima parte della parola è che derivi da una parola celtica &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;dol&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; che indica una ‘zona elevata e rocciosa’ (Gardien, 2002; NOMS DES LIEUX).&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-weight: 400;"&gt;In ladino la parola è entrata come neologismo e nelle varietà che formano il femminile plurale con l’aggiunta di -es essa viene resa come &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Dolomites&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, quindi in ladino cadorino d'Oltrechiusa, ampezzano, badiotto, gardenese e alto fassano.&lt;/span&gt;</text>
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                    <text>Campione di Arenaria di Val Gardena</text>
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                    <text>Estratto da “Carta Geologica d’Italia, Foglio 046 “Longarone” 1:50.000”, la freccia rossa che punta l’arancione chiaro indica dove affiora l’Arenaria di Val Gardena in corrispondenza di Valcozzena.&#13;
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                  <text>Museo di geologia, paleontologia e mineralogia delle Dolomiti agordine</text>
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                <text>Davide Conedera</text>
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                <text>&lt;p&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Ciamà cossita perché che apede ven fora crepa de le Arenarie dei Val Gardena: na formazion sedimentaria de arenarie (=sabion zimentà) rosse e roane&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (trad. italiana: così chiamata poiché vicino affiora roccia delle Arenarie di Val Gardena: una formazione sedimentaria di arenarie (=sabbie cementate) rosse e brune)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Ecco come nasce il nome Valle Rossa, dal latino &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;vallis&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; + &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;coccina &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;dove &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;coccinus&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; ha la stessa radice dell’italiano “coccinella” (De Nardin e Tomasi, 2011)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Valcozena &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;in ladino, Valcozzena in italiano.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Curiosi di sapere dove si trova questo luogo? Qui la posizione geolocalizzata: &lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;iframe width="600" height="450" style="border: 0;" src="https://www.google.com/maps/embed?pb=!1m17!1m12!1m3!1d2757.4848543694684!2d12.023401999999999!3d46.280341!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m2!1m1!2zNDbCsDE2JzQ5LjIiTiAxMsKwMDEnMjQuMyJF!5e0!3m2!1sit!2sit!4v1707249122819!5m2!1sit!2sit" allowfullscreen="allowfullscreen" loading="lazy" referrerpolicy="no-referrer-when-downgrade"&gt;&lt;/iframe&gt;</text>
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                  <text>️Il termine “algudnei” unisce due parole ladine (algu = qualcosa, poche cose, diverse e collegate tra loro; nei = noi) che unite formano Algu d nei = qualcosa di noi&#13;
&#13;
Si tratta di un progetto culturale che vede la collaborazione del Gruppo di Ricerche Culturali di Comelico Superiore e la Regola di Dosoledo. Insieme, si sono proposti di divulgare i risultati delle ricerche svolte sul proprio territorio e sulla cultura ladina del Comelico, con l’obiettivo di trasmettere la conoscenza e animare il dibattito locale.&#13;
&#13;
Questo spazio racconta una cultura antica la cui esistenza è stata messa a dura prova dalla modernità ma che é sopravvissuta ed è ancora capace di raccontare, di parlarci.</text>
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                <text>&lt;p&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Dudlè&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; nel comune di Comelico Superiore si riferisce a Dosoledo, il toponimo del paese.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Sono&lt;/span&gt; &lt;span style="font-weight: 400;"&gt;diverse le interpretazioni del toponimo Dosoledo/&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Dudlé&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. L’interpretazione più attendibile del toponimo arriva dal Tagliavini (1926: p. 13) che, constatando che nelle carte latine antiche il luogo era chiamato &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;auxoledum&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, fa risalire l’etimo al latino &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;aesculetum &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;quindi ‘bosco d’ischi (un tipo di quercia)’.&amp;nbsp; Altre etimologie lo fanno risalire all’acetosa (&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Rumex acetosa&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;), in Comelico &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;dèdola /dedlä&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. Altrimenti potrebbe essere connesso &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;dosolòda&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; o &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;dasaròla&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, che è il nome che in Oltrepiave si dà all’erica (&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Erica carnea&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; e &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Calluna vulgaris&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;), conosciuta anche come &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;auselàda&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;auselòda&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;ausolòda &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;in Oltrechiusa e chiamata &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;dislòdä&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; o &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;slòdä&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; nel Comelico Superiore .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;L’etimologia popolare (pseudoetimologia) lo farebbe&amp;nbsp; derivare da noccioleto, la zona infatti era ricca di alberi di nocciolo in ladino &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;nosolèi&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; o &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;nudlèi&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, cioè bosco di nocciòli.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Dosoledo è anche la sede del museo Algudnei.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Didascalie immagini&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto: Foto del panorama di Dosoledo;&amp;nbsp; Provenienza: collezione Algudnei&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>️Il termine “algudnei” unisce due parole ladine (algu = qualcosa, poche cose, diverse e collegate tra loro; nei = noi) che unite formano Algu d nei = qualcosa di noi&#13;
&#13;
Si tratta di un progetto culturale che vede la collaborazione del Gruppo di Ricerche Culturali di Comelico Superiore e la Regola di Dosoledo. Insieme, si sono proposti di divulgare i risultati delle ricerche svolte sul proprio territorio e sulla cultura ladina del Comelico, con l’obiettivo di trasmettere la conoscenza e animare il dibattito locale.&#13;
&#13;
Questo spazio racconta una cultura antica la cui esistenza è stata messa a dura prova dalla modernità ma che é sopravvissuta ed è ancora capace di raccontare, di parlarci.</text>
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                <text>Urazion</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;La parola &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Urazion&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; nel Comelico rappresenta la spiritualità e significa ‘preghiera’. Durante i percorsi e i lavori nei prati, le persone si fermavano a pregare davanti ai capitelli rappresentati nell’immagine allegata.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;La preghiera del dott. Pio Zandonella Necca&amp;nbsp; tratta dalla raccolta di poesie in ladino “&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt; Insudä ‘n Cumelgu”&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (Necca, 2000), ci trasmette il sentimento di protezione e speranza, avvicinandoci alla spiritualità e alla profondità della fede del tempo.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&lt;br /&gt;&#13;
&lt;p&gt;&lt;b&gt;Testo in ladino&lt;/b&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Pater noster &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Tu ch’t’es al Pari, ‘l Pari de duc’ nei&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;e che dal ziél t’asisti i to canài,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;nei Te glorificón co’ i nom’ pi béi,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;co’ n salmu che, com’ Te, n’pó fni pi mai!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Iona ‘l to regnu, comi che t vós Tu,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;‘n manierä ch’ duci ubdisä al To vulèi,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;tantu su ‘n Paradìs comi cadù;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;sourä sta terä gramä enó ch’son nei!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Fa che n’ ne manci al pan, chel d’ogni dì,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;e pardonä Signor, i nos&amp;nbsp; picés ,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;li nostri depti: ognun ruvi a capì&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;da fei listesu par i sò fradés!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Salvä, Signor, dal mal sta to fameiä,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;da ogni tentazion! E cušì sèiä!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Traduzione in italiano&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Padre nostro&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Tu che sei il Padre, il Padre di tutti noi&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;E che dal cielo assisti i tuoi figli,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;noi Ti glorifichiamo con i nomi più belli,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;con un salmo che, come&amp;nbsp; Te, non può finire mai!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Venga il tuo regno come vuoi Tu ,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;in maniera che tutti ubbidiscano al Tuo volere,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;tanto in Paradiso come quaggiù;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;sopra questa terra grama dove siamo noi!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Fa che non ci manchi il pane, quello di ogni giorno,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;e perdona, Signore, i nostri peccati,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;i nostri debiti: ognuno arrivi a capire&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;di fare lo stesso per i suoi fratelli!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Salva, Signore, dal male questa tua famiglia,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;da ogni tentazione! E così sia!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;( tratto da “Insudä 'n Cumelgu”, ortografia originale dell’autore; Necca, 2000)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&lt;br /&gt;&#13;
&lt;p&gt;&lt;b&gt;Didascalie immagini&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto: Capitello in mezzo ai prati;&amp;nbsp; Provenienza:&amp;nbsp; collezione Algudnei&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                    <text>Padre Domenico De Rocco di Canale d'Agordo (1889-1958), Missionario del PIME in Cina, foto di autore ignoto scattata negli anni ‘20 del XX secolo in Cina, Fondo Fam. Saba De Rocco, Archivio Fondazione Papa Luciani Onlus</text>
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                    <text>Padre Saba De Rocco di Canale d'Agordo (1910-1984), generale dell'ordine dei Somaschi e padre conciliare al Concilio Vaticano II, foto anno 1984 circa, autore ignoto, Fondo Fam. Saba De Rocco, Archivio Fondazione Papa Luciani Onlus</text>
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                    <text>Padre Felice Maria Cappello di Caviola (1879-1962), detto "Il Confessore di Roma", del quale è in corso la causa di canonizzazione, foto di autore ignoto anno 1962 circa, Archivio Fondazione Papa Luciani Onlus</text>
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                    <text>Il Beato Albino Luciani Papa Giovanni Paolo I di Canale d'Agordo (1912-1978), foto de l’Osservatore Romano, agosto 1978, Archivio Fondazione Papa Luciani Onlus</text>
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                    <text>Padre Giovanni Battista Costa di Vallada Agordina (1902-1996), prelato di Porto Velho in Brasile e padre conciliare al Concilio Vaticano II, foto di autore ignoto anni ‘40 del XX secolo, Fondo Fam. Costa (Brasile), Archivio Fondazione Papa Luciani Onlus</text>
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                  <text>Canale d'Agordo (BL)</text>
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                  <text>Il Museo Albino Luciani “MUSAL”, ufficialmente inaugurato il 26 agosto 2016, è situato in un palazzo quattrocentesco, accanto alla chiesa parrocchiale di San Giovanni Battista di Canale d’Agordo (Belluno). L’esposizione permanente ha come obiettivo quello di raccontare la vita e l’insegnamento di papa Giovanni Paolo I, ma non solo: la grandezza della figura di Albino Luciani emerge anche dalla conoscenza del contesto storico e sociale in cui è nato e cresciuto, l’antica Pieve di Canale d’Agordo, che vide maturare la sua vocazione e determinò la personalità di questo Papa tanto amato nel mondo. Potrete scoprire la storia della Valle del Biois e conoscere la vita di alcune personalità native del luogo, la vita di Albino Luciani vissuta nel suo paese natale, dall’infanzia fino alla sua ordinazione episcopale, oltre alle tappe più importanti: dalla nomina a vescovo di Vittorio Veneto (1958-1969), patriarca di Venezia(1969-1978) e papa il (26 agosto 1978), fino alla morte, avvenuta in Vaticano il 28 settembre 1978.&amp;nbsp;&lt;a href="http://www.visitdolomites.com/page2/musal-museo-albino-luciani/" target="_blank" rel="noreferrer noopener"&gt;www.visitdolomites.com&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.musal.it" target="_blank" rel="noreferrer noopener"&gt;Sito internet del museo&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Devozion&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, nell’Agordino, assume il significato di devozione, preghiera, voto, indicando un profondo legame spirituale e attaccamento spirituale a una figura vicina a Dio, necessari per affrontare le difficoltà della vita.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;L'arte e la religione erano infatti indissolubilmente unite alla vita quotidiana, dura e faticosa, in quanto la prima rappresentava lo svago e l'espressione della propria creatività e libertà, mentre la seconda costituiva il sollievo dalle molteplici afflizioni e il ristoro nei frequenti momenti di&amp;nbsp; difficoltà.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;La parola &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;devozion&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; si collega in modo diretto alle immagini delle personalità religiose più significative del territorio.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Un modo di dire ladino &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;te me tire fora de devozion&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (trad. italiano: mi distrai, mi distogli dal mio lavoro), riflette la rilevanza della devozione nella vita quotidiana. La devozione verso una figura religiosa concreta come il parroco oppure il confessore è parte della nostra vita e del sentire della comunità.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Questo concetto evoca emozioni di rispetto, fede, accoglienza come evidenziato nelle Foto&amp;nbsp; di Padre Domenico De Rocco di Canale d'Agordo (1889-1958), Padre Saba De Rocco di Canale d'Agordo (1910-1984), Padre Felice Maria Cappello di Caviola (1879-1962), detto "Il Confessore di Roma", Il Beato Albino Luciani Papa Giovanni Paolo I di Canale d'Agordo (1912-1978), Padre Giovanni Battista Costa di Vallada Agordina (1902-1996).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Audio registrazioni&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Te me tire fora de devozion &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(tad. italiana: Mi distrai, mi distogli dal mio lavoro)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Didascalie immagini&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 1: Padre Domenico De Rocco di Canale d'Agordo (1889-1958), Missionario del PIME in Cina; Autore e data: Foto di autore ignoto scattata negli anni ‘20 del XX secolo in Cina; Provenienza: Fondo Fam. Saba De Rocco, Archivio Fondazione Papa Luciani Onlus.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 2: Padre Saba De Rocco di Canale d'Agordo (1910-1984), generale dell'ordine dei Somaschi e padre conciliare al Concilio Vaticano II; Autore e data: Foto anno 1984 circa, autore ignoto; Provenienza: Fondo Fam. Saba De Rocco, Archivio Fondazione Papa Luciani Onlus&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 3: Padre Felice Maria Cappello di Caviola (1879-1962), detto "Il Confessore di Roma", del quale è in corso la causa di canonizzazione; Autore e data: Foto di autore ignoto anno 1962 circa; Provenienza: Archivio Fondazione Papa Luciani Onlus&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 4: Il Beato Albino Luciani Papa Giovanni Paolo I di Canale d'Agordo (1912-1978); Autore e data: Foto de l’Osservatore Romano, agosto 1978; Provenienza: Archivio Fondazione Papa Luciani Onlus&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 5: Padre Giovanni Battista Costa di Vallada Agordina (1902-1996), prelato di Porto Velho in Brasile e padre conciliare al Concilio Vaticano II; Autore e data: Foto di autore ignoto anni ‘40 del XX secolo; Provenienza Fondo Fam. Costa (Brasile), Archivio Fondazione Papa Luciani Onlus&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Il Museo Albino Luciani “MUSAL”, ufficialmente inaugurato il 26 agosto 2016, è situato in un palazzo quattrocentesco, accanto alla chiesa parrocchiale di San Giovanni Battista di Canale d’Agordo (Belluno). L’esposizione permanente ha come obiettivo quello di raccontare la vita e l’insegnamento di papa Giovanni Paolo I, ma non solo: la grandezza della figura di Albino Luciani emerge anche dalla conoscenza del contesto storico e sociale in cui è nato e cresciuto, l’antica Pieve di Canale d’Agordo, che vide maturare la sua vocazione e determinò la personalità di questo Papa tanto amato nel mondo. Potrete scoprire la storia della Valle del Biois e conoscere la vita di alcune personalità native del luogo, la vita di Albino Luciani vissuta nel suo paese natale, dall’infanzia fino alla sua ordinazione episcopale, oltre alle tappe più importanti: dalla nomina a vescovo di Vittorio Veneto (1958-1969), patriarca di Venezia(1969-1978) e papa il (26 agosto 1978), fino alla morte, avvenuta in Vaticano il 28 settembre 1978.&amp;nbsp;&lt;a href="http://www.visitdolomites.com/page2/musal-museo-albino-luciani/" target="_blank" rel="noreferrer noopener"&gt;www.visitdolomites.com&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.musal.it" target="_blank" rel="noreferrer noopener"&gt;Sito internet del museo&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;San Floriano, in Agordino &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;San Florian&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, è venerato anche in tutto il Tirolo ed è il patrono dei Pompieri. La sua figura è raffigurata su diverse abitazioni della Valle del Biois come ex voto commissionato dalle famiglie per scongiurare incendi ed inondazioni.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Un interessante romanzo scritto da Enzo Demattè, intitolato “La Valle con i santi alle finestre”, ambientato a inizio Settecento, racconta le peripezie di un giovane pittore falcadino, Cristano Soracosta, che dipinge questi santi, tra cui proprio San Floriano e che si trova a dover fuggire di continuo dal momento che tutte le case dove lo rappresenta prendono misteriosamente fuoco una dopo l'altra, scatenando l'ira dei paesani.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Le immagini, raffiguranti i dipinti ex voto, mostrano la stretta connessione con la religione e la necessità di affidarsi a questa per affrontare le calamità.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Questa parola evoca una serie di emozioni particolari, tra cui speranza, timore, fede e impotenza, riflettendo il legame profondo tra la comunità e la protezione divina offerta dal santo patrono.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Didascalie immagini&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 1: Affresco di San Floriano sulla facciata di un'abitazione privata di Villotta (Falcade); data: 1846; Provenienza: Archivio Fondazione Papa Luciani Onlus&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 2: San Floriano, Illustrazione di Dunio Piccolin per la nuova edizione 2024 del romanzo di Enzo Demattè "La valle coi santi alle finestre", Edita da Nuovi Sentieri Editore di Bepi Pellegrinon e dalla famiglia Demattè, con la prefazione di Giuseppe Mendicino, il biografo ufficiale di Mario Rigoni Stern; Provenienza: Foto tratta dalla pagina facebook:&lt;/span&gt;&lt;a href="https://www.facebook.com/ValledelBioisDolomitiLavallecoisantiallefinestre?__cft__%5b0%5d=AZXmMByhnDbA45PVIpNwr35CUnLKoXF0gn78yF-SGik8gR5m7kleQR5CbMKhACAG2UC0V9NmeiK7xSuCjDSP18a_6RfzfxbfaSspve5LE9wT7x1MOfY2OHHOSWfnD1zBNM9dEDNVMM5kakeaBHAlA7n32sTq9HYMax23d8jknqCQrYZjZWzf79guxFMYxqnjHl0&amp;amp;__tn__=-UC*F"&gt;&lt;span style="font-weight: 400;"&gt;Valle del Biois - Dolomiti “La valle coi santi alle finestre”&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 3: Graffito raffigurante San Floriano sulla facciata dell'odierna caserma dei Vigili del Fuoco Volontari della Valle del Biois a Canale d'Agordo, autore Santino Ganz; Data: fine anni ‘90 ; Autore: Claudia Tancon&lt;/span&gt;&lt;/p&gt;</text>
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                    <text>La Piera de l autà (foto Sergio Monico, primi anni ‘90)</text>
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                    <text>La statua della Pietà, posta sulla mensa di uno degli altari laterali della chiesetta di San Rocco a Pescul (foto Marika Cazzetta, 16/08/2018)</text>
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Attorno alla &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Piera del autà (&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;pietra dell’altare) si intrecciano ben due leggende e una storia di spiritualità e legame ai propri luoghi.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Si tratta di un masso dalla superficie levigata sito a Mondeval de Sota. Secondo la leggenda, sarebbe ciò che resta dell’antico castello delle dame di Mondeval, che vivevano in solitudine e si recavano in valle solo in particolari occasioni. Nel maniero era presente anche una cappella e questo masso sarebbe stato usato come altare per le celebrazioni liturgiche. Su di esso, sembra che un tempo fosse collocato il &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Vesperbild&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; o Madonna della Pietà, una statua in gesso collocata, oggi, nella chiesetta di san Rocco a Pescul, che è a sua volta legata ad un’altra leggenda. Pare, infatti, che, dopo la distruzione del castello a causa di una frana, un abitante del luogo avesse trovato questa statua integra e l’avesse portata in paese. L’intera popolazione decise di collocarla nella chiesetta di San Rocco a Pescul ma, il giorno seguente, si accorse che la statua della Pietà era misteriosamente scomparsa. Dopo varie ricerche, venne ritrovata sulla &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Piera del autà&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;. La popolazione decise allora di riportare la statua a valle con una solenne processione, al termine della quale venne ricollocata nell’oratorio di san Rocco, dove si può ammirare ancora oggi.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Didascalie immagini&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto1: La Piera del autà; Data e autore: primi anni ‘90, Sergio Monico.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 2: La statua della Pietà, posta sulla mensa di uno degli altari laterali della chiesetta di San Rocco a Pescul; Data e autore: 16 agosto 2018, Marika Cazzetta.&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;L’origine etimologica deriva dal longobardo &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;balk&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;ō + -onem + -ella&lt;/span&gt;&lt;/i&gt; &lt;span style="font-weight: 400;"&gt;(Nicolai 2000)&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;b&gt;Didascalie immagini&lt;/b&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Un tempo il collegamento tra Selva e il resto del Cadore avveniva attraverso un sentiero che passava alle pendici del monte Pelmo, tramite il valico di Forcella Forada. Proprio qui è stato costruito un capitello dedicato a Sant’Antonio da Padova che fungeva anche da riparo per i viandanti, essendo il percorso piuttosto impervio e pericoloso, soprattutto in condizioni metereologiche avverse.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Pur trovandosi in territorio cadorino, è un luogo molto caro alla gente di Selva e viene visitato da paesani e turisti più volte all’anno. &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Sant Antone&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; da Padova è noto, infatti,&amp;nbsp; come santo protettore dei matrimoni, dei bambini e dei viaggiatori oltre che come “santo dei miracoli”.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;A Forcella Forada sorge un capitello eretto in onore di sant’Antonio da Padova che ricorda un evento nel passato.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;“La leggenda narra di un uomo e di due buoi sorpresi da una tempesta di neve in tardo autunno mentre stavano per raggiungere la cima - si legge nell’iscrizione del capitello -. La nevicata sempre più fitta rendeva estremamente difficoltosa la marcia per cui l'uomo, visto che ormai perduto promise a Sant’Antonio l’ erezione di un capitello se si fossero salvati lui e i buoi. La fede gli giovò perché riuscì a scollinare pressoché indenne e raggiungere Pescul. La promessa fu, poi, mantenuta”.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Didascalie immagini/video&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 1: Immagine di Sant’Antonio da Padova in località Le Pause; Data e autore: 07 maggio .2021,&amp;nbsp; Marika Cazzetta.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 2: Capitello dedicato a Sant’Antonio da Padova in località Marzeluch, sulla strada che unisce Selva di Cadore a Caprile; Provenienza: Racc. Union Ladign da Selva.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 4: Il capitello eretto in onore di sant’Antonio da Padova a Forcella Forada; Data e autore: 13 giugno 2021, Marika Cazzetta.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Foto 5: Targa apposta sul muro del capitello che narra la leggenda legata alla sua costruzione; Data e autore: 13 giugno 2021), Marika Cazzetta.&lt;/span&gt;&lt;/p&gt;</text>
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