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                <text>Verso la metà del '900, a parte qualche attività artigianale, l'economia della Val Pesarina si basava soprattutto sullo sfruttamento delle risorse forestali. Le famiglie integravano l'economia agricola di autoconsumo con il reddito da lavoro dipendente. Ciò metteva sotto pressione soprattutto le donne, costrette a sopportare un elevato carico di lavoro nei campi e nel governo degli animali. La fabbrica degli orologi, fin dagli anni '40, ha riconosciuto e valorizzato il talento femminile nelle sue diverse espressioni di cura, di precisione, di duttilità. Il lavoro in fabbrica ha rappresentato per molte un'opportunità di ottenere un reddito, alleggerire il carico di lavoro agricolo e ampliare la sfera dei rapporti sociali.</text>
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                <text>La costruzione di orologi da torre a Pesariis è documentata dalla fine del '600. Fino alla metà dell''800 si tratta di costruzioni in ferro forgiato, poi vengono introdotte fusioni e lavorazioni con macchine utensili azionate dall'energia ricavata dal Rio Possal. I primi artefici sono i Capellari che con i loro manufatti raggiungono l'Istria. Dal 1725 i Solari continuano questa attività per sette generazioni. Nella seconda metà dell''800 le produzioni trovano sbocco nelle Venezie e lungo la costa Dalmata sino a Creta.</text>
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                <text>Casera Campo: tra Carnia e Cadore</text>
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                <text>Casera Campo è una montagna pascoliva nell’alta valle del torrente Frison da secoli proprietà della comunità di Vigo di Cadore, è citata per la prima volta in un documento del 20 aprile 1186. Una malga esisteva già nel 1574 quando fu concesso un bosco per la sua manutenzione. La cascina fu rifatta in pietra nel 1867, poi nel 1907. Tutta la malga fu incendiata dai nazisti nell’ottobre 1944 e l’attuale fu riedificata nel 1946. &#13;
Il crocifisso sulla parete sopra la porta fu realizzato dai pastori e reca come tradizione gli emblemi della passione di Cristo.</text>
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                <text>Magnifica Regola di Vigo e Laggio di Cadore con Piniè e Pelos</text>
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                <text>tra sacro e profano</text>
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                <text>“Arte in Natura” è una corrente artistica che crea opere all’aperto. E’ nata intorno agli anni ’80  ispirandosi alla “Land Art”, ma ne differisce per gli interventi non invasivi e destinati a dissolversi per ritornare alla terra. In quest’ottica i materiali usati devono essere il più possibile naturali e raccolti sul posto.&#13;
Le “Donne del Bosco” sono un gruppo proveniente da diverse esperienze artistiche che dal 2003 opera in parchi, sentieri boschivi e sul greto dei fiumi, creando opere, che pur essendo effimere, suscitano emozioni, che spesso inducono il visitatore a sperimentare le proprie capacità creative.&#13;
Le opere, al di là di ciò che le artiste vogliono singolarmente esprimere, sono per la loro specificità, portatrici di messaggi etici: parlano di ecologia, di paesaggio, di rispetto per l’ambiente, del valore che possono assumere anche cose apparentemente inutili e dell’attenzione che tutti dovremmo avere per ciò che ci circonda.&#13;
Dal 2003 al 2020 sono stati diversi gli interventi artistici in Friuli e non solo. Coinvolti fra gli altri i comuni di Ovaro (11 manifestazioni), Forni di Sopra (6), Ragogna, Tarcento, Venzone, Prato Carnico e Osoppo. </text>
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                <text>Dolomiti Casa Mia / L'arte è di casa</text>
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                <text>#StorieAPiedi #WalkingTales (seconda edizione campagna DolomitesMuseum)</text>
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Un'esperienza da condividere anche con i piccoli camminatori, tenendoli per mano e scoprendo insieme a loro le storie di chi, cento anni fa su queste montagne, ha vissuto un evento che ha cambiato il mondo.&#13;
&#13;
Le #storieapiedi con le quali partecipiamo alla campagna #DolomitesMuseum sono quelle che potete scoprire sulle montagne intorno a Rovereto, tra forti e trincee, sulle tracce della Prima guerra mondiale.&#13;
&#13;
Tanti itinerari adatti a tutti che si possono concludere con una visita al Museo, dove la storia la raccontano gli oggetti e le voci dei suoi protagonisti.&#13;
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                <text>Poche cose in una borsa, viaggi estenuanti, l'arrivo in luoghi sconosciuti, la vita nelle baracche, l'incertezza e la nostalgia.&#13;
&#13;
Questo hanno dovuto affrontare migliaia di donne, insieme ad anziani e bambini, profughi nella Prima guerra mondiale. Una storia che si ripete anche oggi.&#13;
&#13;
Cento anni fa dovettero abbandonare le loro valli e raggiungere luoghi nei quali spesso non comprendevano la lingua, accompagnate solo dalla paura per gli uomini al fronte.&#13;
&#13;
Sono loro le #donnedolomitiche che vi presentiamo oggi per la campagna #DolomitesMuseum di @museodolom.it.&#13;
&#13;
Donne in un campo di internamento a Katzenau in Boemia [Archivio Museo Guerra Rovereto]&#13;
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&#13;
I segni indelebili della guerra sulle montagne non sono dovuti solo agli effetti dei combattimenti. Il paesaggio montano è stato trasformato da strade, ferrovie, gallerie, teleferiche e addirittura aeroporti.&#13;
&#13;
La montagna oltre che paesaggio di guerra, è stata per molti uomini, anche se in condizioni estreme, il loro paesaggio di vita. &#13;
&#13;
Queste e altre immagini fanno parte della mostra ""In alto. Il sistema di rifornimenti militari tra lo Zugna e gli Altipiani"" .&#13;
&#13;
[Archivio Museo Guerra Rovereto]</text>
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